Next is a music discovery application that utilizes a swiping interface to help users find new independent artists. The deck, likely from 2014 based on market data citations, highlights a strong initial launch with 56.6k installs in its first four weeks and 100% organic growth. The core value proposition is a 'UX driven design' that simplifies discovery, contrasting itself against incumbents like YouTube and Spotify which the founders argue are not optimized for emerging talent. The most compelling aspect of the pitch is the team slide, featuring former Tinder design executives. However, the…
Key takeaways
- The platform uses a swipe-to-like mechanic for 30-second music clips to drive user engagement (Slide 3).
- Initial traction shows 56.6k installs and 50k users within the first four weeks of launch (Slide 4).
- The company achieved 38.4k Monthly Active Users (MAU) in its first full month with $0 marketing spend (Slide 4).
- Market data cites that Spotify reported $1B in revenue in 2013, up over 50% from 2012 (Slide 5).
- The competitive analysis positions Next as the only platform that is simultaneously mobile-based and optimized for emerging artists (Slide 6).
- Co-CEO Chris Gulczynski was a Co-Founder of Tinder and led the design team there (Slide 7).
- Co-CEO Sarah Mick was VP of Design & User Experience at Tinder and designed the YC-backed app Yardsale (Slide 7).
- The deck lacks any mention of revenue generation, unit economics, or a specific capital requirement (Omitted).
Next Pitch Deck Analysis
The Next investor deck is a product-centric pitch that relies heavily on the 'Tinder for X' trope, which is justified in this case by the fact that the founders actually built the design language for Tinder. The deck focuses on the friction of music discovery and proposes a high-engagement, mobile-first solution.
Slide 1: Title Slide
The deck opens with a minimalist title slide featuring the company name 'next' and the tagline 'Be heard.' The design is clean and professional, using a thin sans-serif font that aligns with the aesthetic of mid-2010s mobile startups. The color bar at the bottom introduces a palette that is used consistently throughout the presentation.
Slide 2: The Problem - A Listener's Perspective
Next uses a persona-based problem statement. A testimonial from 'Robert G., Music Lover' highlights three pain points: the presence of ads on services like Pandora and YouTube, the difficulty of finding specific music he likes, and the 'hit or miss' nature of local live shows. By framing the problem through a user quote, the deck attempts to establish immediate empathy for the consumer's frustration with current discovery methods.
Slide 3: The Solution
This slide introduces the product interface across five mobile screens. The core features described are: watching 30-second music clips with a 'swipe right to like' mechanic, seeing local and global talent, recording or uploading performances, and maintaining a 'full-featured profile.' The text explicitly states that Next 'leverages game mechanics and social networking to drive engagement.' This is a clear nod to the founders' expertise in creating addictive mobile interfaces.
Slide 4: Traction - (Killing It)
The traction slide focuses on the first four weeks post-launch. The metrics are impressive for an early-stage app: 56.6k installs and 50k users. The slide notes 38.4k MAU for May and 17.7k MAU for 'June so far,' suggesting the deck was produced mid-month. The most significant data point here is '100% organic growth ($0 marketing spend),' which was facilitated by a featured spot on the Apple App Store.
Slide 5: Market Size - Top Down
Next uses a top-down market analysis citing The Economist (2014). It notes that 21% of industry revenues came from streaming in 2012 and that online radio revenue reached $590M (up 28% from 2012). It also highlights Spotify's $1B revenue in 2013 as evidence of the massive growth in the sector. While these figures validate the streaming category, they do not specifically define the Serviceable Addressable Market (SAM) for an independent artist discovery platform.
Slide 6: Competition - Analysis
The competitive matrix compares Next against YouTube, Instagram, Vine, and Spotify. Next claims to be the only platform that hits all four of its self-defined criteria: Mobile Based, Optimized for Emerging/Independent Artists, Equal Opportunity for Artist Discovery, and Direct 1-1 Communication. Notably, it gives Instagram and Vine credit for being mobile-based but marks them as lacking in artist discovery and optimization for musicians.
Slide 7: The Team
This is arguably the strongest slide in the deck. Co-CEOs Sarah Mick and Chris Gulczynski bring significant 'pedigree' from Tinder. Chris is listed as a Co-Founder of Tinder who led the design team, and Sarah was the VP of Design & UX there. The inclusion of CTO Patrick Mick, who also came from Tinder, rounds out a team with a proven track record of building and scaling one of the most successful mobile apps of that era. This slide serves to de-risk the execution of the 'game mechanics' mentioned earlier.
What Works in This Deck
Design Pedigree: The team's background at Tinder is a massive asset. In a mobile consumer play, the ability to design a 'sticky' interface is a primary success factor, and this team has already done it at scale. Organic Traction: Demonstrating 50k users with zero marketing spend is a strong signal of product-market fit or, at the very least, a highly effective launch strategy. Clear Product Vision: The solution slide clearly explains how the app works without over-complicating the features. The 'swipe to like' mechanic is instantly recognizable and easy to understand.
What Is Missing
Business Model: There is no mention of how Next intends to make money. Whether through advertising, subscriptions, or artist services, the lack of a monetization strategy is a significant omission for a professional investor deck. The Ask: The provided slides do not include a funding ask. There is no information on how much capital is being raised, the valuation, or how the funds will be allocated (e.g., hiring, marketing, infrastructure). Unit Economics: While MAUs are provided, there is no data on retention rates beyond the first month, Cost Per Acquisition (CPA) targets, or Lifetime Value (LTV) projections. Roadmap: The deck focuses on what has already been built and the initial launch, but it fails to outline the future product roadmap or expansion plans.
What a Founder Should Copy
The Persona Problem Slide: Using a real-world quote to illustrate a problem is often more effective than a list of abstract pain points. It makes the problem feel tangible. Visual Consistency: The deck uses a consistent color palette and clean typography that matches the product's UI. This creates a cohesive brand experience for the investor. Focus on 'Why Us': The team slide doesn't just list titles; it lists specific achievements (e.g., 'designed the YC-backed app, Yardsale') that are relevant to the current venture. Founders should always highlight the specific 'superpowers' that make them the right people to solve the problem.
Frequently asked questions
- What is the primary user interaction in the Next app?
- According to Slide 3, the primary interaction is watching 30-second music clips and swiping right to like them. This 'game mechanic' is designed to simplify music discovery and drive engagement, mirroring the swiping functionality popularized by Tinder, where the founders previously worked.
- How did Next acquire its first 50,000 users?
- Slide 4 states that the company achieved 100% organic growth with $0 marketing spend. This was primarily driven by a 'Frontpage AppStore feature' under the 'best new apps' category during their launch period.
- Who are the key members of the founding team?
- The team is led by Co-CEOs Sarah Mick and Chris Gulczynski. Both have significant design backgrounds at Tinder; Chris was a Co-Founder and design lead, while Sarah was VP of Design & UX. They are joined by CTO Patrick Mick, who was an iOS developer at Tinder (Slide 7).
- How does Next differentiate itself from Spotify and YouTube?
- On Slide 6, Next claims that while YouTube and Spotify have some mobile presence, they are not 'optimized for emerging/independent artists' and do not offer 'equal opportunity for artist discovery.' Next positions itself as the only player providing direct 1-1 communication between artist and listener in a mobile-first format.
- What financial information is included in the deck?
- The deck is very light on financials. Slide 5 provides top-down market data from 2012 and 2013 regarding industry streaming revenues and Spotify's growth, but there are no slides detailing Next's own revenue model, burn rate, or financial forecasts.
