Listin presents a social music platform designed to bridge the gap between fragmented streaming services like Spotify and Apple Music. The deck identifies a specific gap in 'live collaboration' and cross-platform sharing, proposing a mobile app that allows users to see what friends are listening to in real-time. With a heavy emphasis on the Canadian market, the deck cites that 90% of Canadians listen to music for an average of 24 hours per week (Slide 5). The business model is notably diverse, offering four tiers ranging from a freemium 'Fan' account to a $15/month 'Business' account (Slide 8…
Key takeaways
- The platform positions itself as a 'cross service, modern music app' to solve the lack of easy cross-platform sharing (Slide 2, 3).
- A core feature is the ability to see what friends are listening to 'in the moment' and collaborate on their playlists (Slide 2).
- Market data focuses on Canada, noting that paid streaming expenditure for Teens & Millennials increased 133% from 2015 (Slide 5).
- The target B2C market is highly specific, identifying millennials who spend 1.5 hours per day commuting and have an average income of $11,000 USD (Slide 6).
- The revenue model includes a $2/month 'Pro' tier featuring a 'cred system' and a $5/month 'Artist' tier with advertising licenses (Slide 8).
- Direct competitors identified include Soundshare and Flo Music, while Spotify and Apple Music are categorized as indirect competitors (Slide 9).
- The deck omits a slide detailing the specific funding amount requested or the intended use of capital.
- The founding team consists of Alex Vallerand (CEO) and Ian Ladd (CMO), though their professional backgrounds are not detailed (Slide 10).
Deck Overview
The Listin pitch deck is a 10-slide presentation focused on a social music layer. The design uses a dark gray background with high-contrast cyan and magenta geometric accents. The narrative follows a standard problem-solution format but leans heavily into demographic profiling and market trends rather than operational execution or financial forecasting.
Slide 1: Title Slide
The title slide introduces the company name, Listin , accompanied by a logo featuring a stylized equalizer graphic. It identifies the founding partners as Alex Vallerand (CEO) and Ian Ladd (CMO) . The visual style established here—heavy on geometric shapes and neon colors—suggests a product aimed at a younger, tech-savvy audience.
Slide 2: Value Proposition
The company's tagline is "Live the music." This slide defines Listin as a "dynamic music sharing mobile platform that allows users to create interactive playlists." The core value proposition is the ability to see what friends are listening to in real-time and the ability to collaborate on their playlists. It also promises a "cross service" experience, implying that it aggregates music from multiple existing platforms into one interface.
Slide 3: Problems Solved
Listin identifies three specific gaps in the current music market:
Live collaboration on music playlists is currently unavailable. · There is no easy way for cross-platform music sharing. · Users face difficulty keeping up to date with new music.
This slide is crucial because it sets the stage for why a third-party app is necessary in an ecosystem dominated by giants like Spotify.
Slide 4: Prototype
This slide displays three mobile screenshots of the Listin app. The UI features a dark mode aesthetic with vibrant accents. The screens show:
A 'Live' feed featuring artists like Flume, Jay-Z, and K.Flay, with listener counts (e.g., 230.1K for Flume). · A playback screen with social integration buttons (Heart, Cloud, Spotify, Apple Music). · A user profile page showing '356 Following' and '235 Followers,' along with a 'Loved' tracks list.
The inclusion of Spotify and Apple Music icons on the playback screen reinforces the cross-platform claim made on Slide 2.
Slide 5: Market Trend
The deck shifts to market validation, focusing specifically on Canada. Key figures include:
90% of Canadians listen to music for an average of 24h/week. · Paid music streaming expenditure is up 133% from 2015 for Teens & Millennials. · A bar chart projects Digital Music Revenue in Canada to reach $216 million USD by 2021, with streaming accounting for $122 million of that total.
The slide also notes a decline in physical album sales and computer usage for music, supporting the 'mobile-first' approach.
Slide 6: Target Market B2C
This slide creates a persona for the Listin user. It notes that 72% of Spotify listeners are millennials . The target user is described as 18-34 years old, with an average income of $11,000 USD , and a commute of approximately 1.5 hours per day. A pie chart breaks down the time allocation of this target market, showing that 32% is spent sleeping and 16% on educational activities. The profile emphasizes a user who "likes to share what they are doing with others."
Slide 7: Target Market B2B
Listin identifies a secondary market in businesses. The B2B target includes radio stations, bars, clubs, festivals, events, and restaurants. The deck claims these entities have a "promotional mindset" and a "desire for more listeners." The app would presumably allow these businesses to broadcast their music choices to a wider digital audience through the Listin platform.
Slide 8: Revenue Model
Fan Account: Freemium. Includes live playlists and music sync. · Pro Account ($2/Month): Adds a "cred system" and unlimited emoji playlists. · Artist Account ($5/Month): Includes a "license to advertise." · Business Account ($15/Month): Includes exclusive music releases, user data access, and live set monetization.
The slide uses a horizontal bar chart to suggest that the "Fan Account" will have the highest "Amount of Users," while the higher-priced tiers will have fewer users.
Slide 9: Competition
Direct: Soundshare (integrated with music services, collaborative playlists) and Flo Music (syncs nearby phones, integrated with SoundCloud and Spotify). · Indirect: Spotify and Apple Music.
A pie chart titled "Streaming Service Market Share - 2015" shows Spotify and Sirius both at 34%, followed by Apple Music at 14%. This slide acknowledges that Listin must coexist with these giants rather than replace them.
Slide 10: Partners (Team)
The final slide returns to the founders. Alex Vallerand is listed as Founding Partner and CEO, and Ian Ladd is listed as Founding Partner and CMO. Each has a headshot, but there is no biographical information, past work history, or educational background provided for either founder.
What Listin Does Well
The deck is visually consistent and professional. The use of high-fidelity prototypes on Slide 4 is a strength, as it allows investors to visualize the "social layer" the founders are describing. By differentiating between direct competitors (social apps) and indirect competitors (streaming platforms), the founders show a sophisticated understanding of the ecosystem. They aren't claiming to kill Spotify; they are claiming to fix Spotify's social deficiencies.
The revenue model on Slide 8 is also quite detailed for an early-stage deck. Most social apps default to "advertising" as a vague future goal, but Listin proposes specific tiered subscriptions for different user archetypes (Fans, Artists, Businesses) from day one.
What is Missing from the Listin Deck
The most glaring omission is The Ask . There is no slide indicating how much capital the company is seeking, the valuation, or the milestones that the funding will enable. Without this, the deck functions more as a product pitch than a fundraising tool.
Furthermore, the Team Slide (Slide 10) is insufficient. In early-stage venture capital, the pedigree of the founders is often as important as the idea. The deck provides no evidence that these two individuals have the technical capability to build a cross-platform music app or the industry connections to navigate the complex world of music licensing and API permissions.
There is also no Technical Roadmap . Building an app that syncs in real-time across different streaming services is technically challenging and relies heavily on the stability of third-party APIs. The deck does not address the risk of Spotify or Apple Music cutting off access to their data, which has historically been a death sentence for similar third-party social music apps.
Founder Takeaways
Quantify the Persona: Slide 6 is an excellent example of how to build a target user profile. By citing specific commute times (1.5 hours) and income levels ($11,000), the founders show they have a very specific user in mind. This helps in tailoring marketing efforts later on.
Address the Ecosystem: If your startup relies on other platforms to function, follow Listin's lead on Slide 9. Don't ignore the giants; explain how you fit into their world. However, you should go one step further than Listin and explain why those giants won't just build your features themselves.
Tiered Monetization: Even if you are a pre-revenue social app, showing that you have thought through multiple revenue streams (Slide 8) demonstrates business maturity. It shows you aren't just building a hobby, but a scalable enterprise with diverse income potential.
Don't Forget the Basics: No matter how good your product looks, a pitch deck without a funding request and a roadmap is incomplete. Always tell the investor exactly what you need and what you plan to do with it.
Frequently asked questions
- What is the primary problem Listin is trying to solve?
- According to Slide 3, Listin addresses three main pain points: the unavailability of live collaboration on music playlists, the lack of an easy way for cross-platform music sharing, and the difficulty users face in keeping up to date with new music releases.
- How does Listin plan to make money?
- Slide 8 outlines a four-tier subscription model. This includes a Freemium 'Fan' account, a $2/month 'Pro' account with a 'cred system,' a $5/month 'Artist' account with advertising rights, and a $15/month 'Business' account that provides user data and monetization for live sets.
- Who is the target audience for this app?
- The deck targets both B2C and B2B segments. The B2C focus is on millennials (18-34) who are 'social and engaging' (Slide 6). The B2B focus targets radio stations, bars, clubs, festivals, and restaurants that have a 'promotional mindset' and desire more listeners (Slide 7).
- What market trends does the deck use to justify the business?
- Slide 5 highlights a significant shift in the Canadian market, showing that digital music streaming revenue was projected to grow to $122 million USD by 2021, while physical album sales and computer-based listening were in decline.
- What critical information is missing from the Listin deck?
- The deck lacks a 'The Ask' slide, meaning it never specifies how much money they are raising. It also misses a Go-To-Market strategy, financial projections (burn rate, CAC, LTV), and a technical explanation of how they will maintain API access to competitors like Apple Music.
